Smash Fiction has always been about answering the oldest questions, and on this final episode of Smashtoberfest, we answer one of the oldest: Which Death is the best Death? It's a Death-Off, you might call it. Or maybe a Death Match. A Death Fight. A Death Conflict. A War of Deaths. A High-Tension Situation Between Deaths. A Deathybrook. I don't know, maybe there's some other, more marketable term for this kind of thing that could conceivably become popular on a platform like YouTube, but I'm sure I don't know what it is.
Anyway, when the afterlife suddenly has an opening at the position of psychopomp, four fictional Deaths arrive to apply for the job. Death from Discworld writes out his application in all caps; Death from Sandman shows up for her interview in an outfit so outlandishly gothy that only she could possibly pull it off; Death from Bill And Ted's Bogus Journey is ready to show off a wide range of gaming skills; and nobody from Afterlife Resources is quite prepared when it's time to meet Joe Black. Which Death will successfully demonstrate their skill at transitioning souls to the next life and snag the gig with the biggest scythe (not to mention some sweet benefits)?
Sharon Schneiderman returns to help us find out in an episode that, with no adult supervision in sight, rapidly descends into ridiculous chaos, never to recover. Also, Liz Logan outsources her argument, MeganBob demands softnessfaction, and Miles bullshits his last.